The latest from Noir So
All movies from Noir So
A toast to fucking! Another party, another group of pretentious men caught up in their own...
Soirée bang
With: Layla Viola, Bishop Black, Curved Marvin, Noir So, Rod Hardick
A toast to fucking! Another party, another group of pretentious men caught up in their own pompous opinions, another boring conversation about silk socks.... What's a girl got to do to find some excitement around here?
Thought you'd seen a threesome before? Hardwerk offers you a new version. Anna B is a famous...
2 bang Anna B
With: Anna B, Fox Dalliance, Noir So
Thought you'd seen a threesome before? Hardwerk offers you a new version. Anna B is a famous yoga teacher. When two specialists come to her to fix her TV, she shows them that she has a lot more to teach.
For the 3rd part of its Triptychon series, Hardwerk offers you to discover Sulema Vasquez' very...
Triptychon vol.3
With: Sulema Vasquez, Noir So, Fox Dalliance, Curved Marvin, Ron Hades
For the 3rd part of its Triptychon series, Hardwerk offers you to discover Sulema Vasquez' very first gang bang. Discover a mixture of tenderness and very intense sex.
The third instalment of HardWerk’s hybrid gang bang/interview series Ask Me is more than an...
Ask me bang: Neen
With: Neen Sever, Bishop Black, Dante Dionys, Noir So, Rod Hardick, Fox Dalliance
The third instalment of HardWerk’s hybrid gang bang/interview series Ask Me is more than an invitation, it’s a provocation: ask me, challenge me, expose me, make me.
Look at me… Inspired by the sexploitation films of Russ Meyers and Michelangelo Antonioni’s Blow...
Bang Click Bang
With: Maria Riot, Bishop Black, Rod Hardick, Hunter S Johnson, Kinky Panda, Noir So
Look at me… Inspired by the sexploitation films of Russ Meyers and Michelangelo Antonioni’s Blow Up (1966), HardWerk’s latest gang bang is a slow burning subversion of cinematic tropes that finds the carnal in the camp and the sumptuous in the sleaze. For her first ever gang bang and first facial on film, lead performer Maria Riot and the filmmakers reimagined the figure of the bossy (and generally male) photographer with a much-needed shift on the gender axis, so allowing Maria to take the lead in quite literally staging her own fantasy. Here, the line between object, subject and artist can become blurred; men in all their exaggerated machismo can become eager playthings, and the directive cannot go unheeded: look at me.
