With: Jasko Fide, Noir So, Curved Marvin, Bishop Black
As the saying goes, "good things come in threes". Such is the spirit of HardWerk’s Triptychon series, the format inspired by the classical triptych format that allows for a new perspective on porn viewing without missing an angle.
With: Layla Viola, Bishop Black, Curved Marvin, Noir So, Rod Hardick
A toast to fucking! Another party, another group of pretentious men caught up in their own pompous opinions, another boring conversation about silk socks.... What's a girl got to do to find some excitement around here?
With: Serafina Sky, Noir So, Roman Raw
For Serafina Sky, Noir So and Roman Raw, what starts out as a buccolic stroll through the Tyrole ends up as a passionate and very intense threesome.
With: Anna B, Fox Dalliance, Noir So
Thought you'd seen a threesome before? Hardwerk offers you a new version. Anna B is a famous yoga teacher. When two specialists come to her to fix her TV, she shows them that she has a lot more to teach.
With: Sulema Vasquez, Noir So, Fox Dalliance, Curved Marvin, Ron Hades
For the 3rd part of its Triptychon series, Hardwerk offers you to discover Sulema Vasquez' very first gang bang. Discover a mixture of tenderness and very intense sex.
With: Neen Sever, Bishop Black, Dante Dionys, Noir So, Rod Hardick, Fox Dalliance
The third instalment of HardWerk’s hybrid gang bang/interview series Ask Me is more than an invitation, it’s a provocation: ask me, challenge me, expose me, make me.
With: Maria Riot, Bishop Black, Rod Hardick, Hunter S Johnson, Kinky Panda, Noir So
Look at me… Inspired by the sexploitation films of Russ Meyers and Michelangelo Antonioni’s Blow Up (1966), HardWerk’s latest gang bang is a slow burning subversion of cinematic tropes that finds the carnal in the camp and the sumptuous in the sleaze. For her first ever gang bang and first facial on film, lead performer Maria Riot and the filmmakers reimagined the figure of the bossy (and generally male) photographer with a much-needed shift on the gender axis, so allowing Maria to take the lead in quite literally staging her own fantasy. Here, the line between object, subject and artist can become blurred; men in all their exaggerated machismo can become eager playthings, and the directive cannot go unheeded: look at me.